The Nikon D2X: A Review Three Years Too Late

Introduction

 A few of the many questions that you may be asking as you read this review is “Why the D2x?  Why now?  Why even bother?”  I’m not going to lie: I was set on buying the D300 when I thought about casually browsing that famous auction site for the prices of the D2X and its slightly improved sibling, the D2Xs.  Lo, and behold!  I found auctions ending with prices lower than a new D300!

Then I realized that I need to reevaluate if I really need the new features of the D300.  As you read through the review, I would be outlining my frustrations with the D200 and as you get to the end, choosing the D2X over the D300 may make sense… 

Or maybe not.  At the least, you’ll be entertained…

Or maybe not.

“Upgrading” From the D200…Wait.  What?

I’ve been a long-time user of the venerable D200.  I have amassed more than 10,000 shutter clicks with it and while it has been my first camera that has actually helped me earn money from my photography, I still don’t consider myself a true D200 guru…BUT…I have the experience with it long enough to bitch about its quirks and praise its true strengths.

Lighter Doesn’t Always Mean Better

Note the keyword: lightweight.  It is true that on weight reduction is an advantage for portability and such, but as one really uses the camera, this light weight actually pose as a disadvantage; the body does not balance well with heavy lenses like the 17-55 and the 70-200.  The setup with the heavy lenses makes it front-heavy, thus making ergonomics of the camera frustrating at times.  I’m not a fan of the optional grip because the material is plastic and adds a weak point on the wholes setup especially when holding the camera on the grip itself.

This reduction of weight done by Nikon for the D200 has also introduced a related problem:

It’s Hard To Ignore Thy Mirror Slapeth

The D200’s mirror slap is not as well-dampened as I would like.  It’s too loud and creates unwanted vibration on the body itself to the point that it affects shooting, especially in slow shutter speeds.  It also affects its operation on a tripod and you will see its effects on lightweight tripods, especially the el-cheapo ones bought from your local drugstore.

Compare this to the D2X: It’s almost impossible to detect the vibrations from the mirror slap, and the sound itself is very refined compared to the annoying “KA-PLAK!” from the D200.

I Need More Than One Cross-Type AF Point

I am probably one of the few people who doesn’t use the D200’s AF points except the center one.  To be quite honest, I found the other points next-to-useless because of two things: the sensitivity is so much worse than the center AF point; and ONLY the center point is cross-type.  This not so much of an issue with the expensive f2.8 expensive zooms, apparently.  It is, however, an issue with older, screw-drive lenses–even high-speed (wide aperture) prime lenses.  I have a constant struggle with the 85/1.4 when using the D200’s AF-point other than the center one.

I don’t even want to talk about its Dynamic Focus.  Yes, I know how it works, but even with the uber-lens 70-200 VR there’s a awful ration between in-focus and out-of-focus shots.

The D2X, on the other hand, has 9 cross-type AF points, and almost all of them has the same level of sensitivity.  The focus points are a little wider than the D200, though.  In my relatively short time with the camera, though, I have not encountered any AF issues that I have with the D200.

Magenta Isn’t My Favorite Color

I have dedicated almost a full section of the D200 review about this: The Nikon D200 colors are far from neutral; it almost always bias to magenta.  This issue rears its ugly more on incorrect white balance or underexposed images.  Only one other review in the intarwebs has pointed out this issue.  It’s interesting to note most other Nikon DLSRs I have tried (D70 and D40) have this issue.  So I have come to the realization that Nikon has deliberately designed the imaging sensor and processor to output such colors.

Upon firing up the D2X for the first time and uploading the RAW files to my computer–to my surprise–I saw something I never thought existed in a Nikon DSLR: neutral colors!

Is it a CMOS vs. CCD thing?  I don’t know, but in my opinion, this is reason enough to buy the D2X! 

I Almost Sold My 70-200 VR

Whenever I use my 70-200 VR lens with the D200, I almost always need to set the exposure compensation an average -2/3 stops (sometimes to a full -1 stop!) when using matrix metering.  My D200 tends to overexpose with the lens for some reason…a problem I have never seen with the D2X.

Any Warts?

I can enumerate two glaring warts: The INACCURATE LCD display and the stupid Auto White Balance System. 

The LCD has narrow angle of view and biased to cool temperature: Yes, everything in the LCD is blue when the histogram tells you that the colors are perfectly fine.

The AWB is probably the most annoying.  The AWB system relies on an external sensor sitting atop the Nikon logo for refinement of the AWB.  Unfortunately, it’s impractical in most situations…especially in mixed lighting condition.  Nikon ditched the thing when they designed the D3…go figure.

The Nikon D300: The Nice Features I Don’t Need  (Sour Grapes)

The New 50+ Point AF Thingamajig

Honestly, at first I was stoked by the number of AF points and its claimed faster auto-focus.  I rarely shoot sports and fast critters.  Do I really need this when the the D2X AF is already outstanding?

Focus Correction

This is indeed a nice feature.  Those who has had “focus problems” with any Nikon cameras prior to the D300/D3, please raise your hands…

Better JPEGs

D300 having “Better JPEGs” is, of course, debatabe.  Even if it does (for argument’s sake), it h